B.SC-FD FOURTH SEMETER-

01 CAD (Illustrator & Pattern Making)

UNIT – I

 Introduction to design softwares (adobe Illustrator) and their interface and tools.
 Introduction to FONTS and their usage.
 Use and function of various editing/effects tools of Photoshop.

UNIT – II

 Introduce students to CAD softwares for pattern making, maker making, Grading, Digitizing.
 Introduction to digitizing and grading on the software.
 Lay out of pattern for cutting and marker making for efficient fabric consumption.

02 FASHION PRESENTATION

UNIT – I

 What is Moodboard? What are the basic elements in a moodboard.
 Basic information needed in Client boards? How to identify customer and their needs.
 Forecasting and Trend analysis.

UNIT – II

 Color forecasting (pantone, etc) and use of fashion websites (WGSN, stylesight, Trendstop, mudpie, etc).
 What is Collage? Collage creation
 Swatch cutting and preparing fabric for presentation.

UNIT – III

 What is Fashion show? Preview of Wills Lifestyle India fashion week and other international fashion shows.
 Basic preparation of Fashion show – sound, light, models, ramp, choreographer, buyer invites, hair & make-up, accessories, publicity/advertisement and invite design.

PRACTICAL:

  • Creating Moodboards – theme based concepts.
  • Client boards – in relation to the end customer and customer identification.
  • Swatch boards – swatch sizes, fabric information and its swatch layouts.
  • Computer aided flat sketches – garment sketches in colored Illustration and flat sketches with stitch detail.
  • Creating color boards – its emphasis and importance in presentation.
  • Computer aided color matching and its techniques.

03 APPAREL MERCHANDISING

 Clothing Business terminology: Customer, vendor, supplier, franchise, sales, fashion marketing, prototype, mark ups, mark down, loss leaders, Ford , wholesaler, contractors, joint venture, knock-offs, cost price, selling price.
 Merchandising – introduction, role of merchandiser, types of merchandising.
 Steps involved in merchandise planning
 Prospects of Indian apparel in overseas market.
 Importance of textile industry in Indian economy
 Organization structure of Export house and export procedures.
 Sourcing: Introduction of Factors responsible in deciding fabrics, price, quality, lead time, factory suitability.

References:

  1. Eascy M., “Fashion Marketing” Blackwell Science, 1994.
  2. Kotler Philip, “Marketing Management “prentice Hall, New Delhi, 2000.
  3. J. Jarnow and K.G. Dickerson, “Inside the Fashion Business”, Prentice Hall, 1997.
  4. Elaine Stone, Jean A Samples, “Fashion Merchandising”, Mc Graw Hill book, 1985.
  5. Colbornbe Robert, “Visual Merchandising; the Business of Merchandise Presentation”, Thomson Delinar Learning, USA.

04 WORLD ART APPRECIATION

UNIT – I

 Prehistoric Art: Paleolithic, Mesolithic, Neolithic
 Ancient Near East: Mesopotamian, Sumerian, Akkadian, Neo-Sumerian, Babylonian, Assyrian, NeoBabylonian, Persian.
 Egyptian Art: Old Kingdom, Middle Kingdom, New Kingdom.

UNIT – II

 Greek Art: Minoan, Mycenaean, Greek
 Roman Art: Republican Rome, Imperial Rome
 Byzantine Art: Byzantine
 Art in Early Europe: Celtic, Iron-Age Europe

UNIT – III

 Islamic Art: Islamic, Abbasid, Ghaznavids, Ayyubid, Fatimid, Nasrid, Mughal, Safavid, Ottoman
 Early Medieval Art: Early Medieval, Romanesque
 Gothic Art: Gothic Art, Manuscripts
 Renaissance Art in Italy: Italo-Byzantine, Early Renaissance, High Renaissance

UNIT – IV

 Renaissance Art Outside Italy: Northern Renaissance
 Baroque Art: Baroque
 18th-Century Art: Late Baroque, Rococo, Romanticism
 19th-Century Art: Romanticism, Neo-Classicism, Realism, Pre-Raphaelites, Realism, Impressionism, Post-Impressionism, Neo-Impressionism, Pointillism, Symbolism, Art Nouveau
 20th-Century Art: Expressionism, Cubism, Futurism, Dada, Surrealism, Abstract Expressionism, Pop Art, Op Art, Minimalism, Performance Art, Environmental Art, Neo-Expressionism, Postmodernism.

References:

  1. A world history of Art (17th Edition) – Hugh Honour
  2. Leonardo Da Vinci 2 Vol set
  3. Michaelangelo Life and Work – Frank Zollner

05 DRAPING & DRAFTING – II

UNIT – I

Dropped shoulder Yoke shirt with pleats, collar band detail and collar.
ACTIVITY: Submission of last weeks’ drape. Demonstration of the draping method of the above. Students to begin under lecturer’s supervision.

UNIT – II

Draping of Basic Sleeve and Mandarin collar onto the Princess Bodice.
ACTIVITY: Submission of last weeks’ drape. Demonstration of the draping methods. Students to begin under lecturer’s supervision.

UNIT – III

Revision and All Submissions.
ACTIVITY: Submission of last weeks’ drapes and any redo’s. Demonstration of the draping methods. Students to submit designs/sketches of blouse project. Approval of blouse project designs and swatches.

UNIT – IV

Blouse Project
ACTIVITY: Demonstration of the draping methods. Students to begin under lecturer’s supervision.

UNIT – V

Draping of Tent Blouse with Shawl Collar

UNIT – VI

Draping of Cowl Neckline

UNIT – VII

Draping of Cowl Armhole

UNIT – VIII

Draping of Draped Dress with Tailored Collar

06 ADVANCE PATTERNMAKING AND GRADING

Unit I

Developing Patterns for Adult Garments

 Nighty and gown
 Choli blouse
 Ladie’ssalwar Kameez
 Ladie’s saree blouse
 Trousers for ladies
 Formal shirt for ladies(with collars and cuffs)
 Jackets

Unit II

Introduction to:
 Track grading
 Nest grading
Grading the following:
 Basic bodice block
 Basic sleeve block.
 Basic skirt
 Trousers.

References:

  1. Thomas Anna Jacob, “The Art of Sewing”, UBS Publishers Distributors Ltd. New Delhi, 1994
  2. Readers digest- Sewing Book
  3. Verma G, “Cutting and Tailoring Theory”, Asian Publishers, Delhi, 1999
  4. Armstrong Helen Joseph, “Pattern Making for Fashion designing”.
  5. Mullick Prem Lata, “Garment Construction Skills”.

07 ADVANCED GARMENT CONSTRUCTION – II

Construction of:

  • Nighty / gown
  • Choli blouse, long body blouse
  • Ladie’ssalwar Kameez
  • Ladie’s saree blouse (plain, belted)