B.SC-FD THIRD SEMETER-

01 COMPUTER AIDED DESIGN

UNIT – I

 Introduction to design softwares (adobe photoshop, Corel Draw) and their interface and tools.
 Introduction to FONTS and their usage.
 Use and function of various editing/effects tools of Photoshop.

UNIT – II

 Resolution, DPI, canvas size and layouts.
 Introduction to Vector and raster graphics types.
 Use and function of Corel Draw tools.

UNIT – III

 Output device and how to create a presentable design layout.
 Image categories; e.g. bitmap, tiff, png, jpeg, etc.

PRACTICAL:

  • Creation of Themed Collages using FX of computer softwares.
  • Creation of rendered illustrations.
  • Creation of Basic blocks.

02 FASHION ILLUSTRATION (Practical)

UNIT – I

 Figure analysis 10 head theory (Male)
 block figure –(front, side, 3/4, back)
 Flesh figure –(front,side, 3/4, back)

UNIT – II

 Fleshing or rendering techniques – skin and materials
 Textural rendering of garments – leather, denim, knitted, etc.

UNIT- III

 Drawing from photograph- Indian Traditional outfit, Contemporary, western
 Composition of Figures (Male & Female) at least 2 sheets.

03 PATTERNMAKING FOR BASIC GARMENTS

Unit I

Principle of pattern making

Unit II

Sleeves: Classification of sleeves, types ofsleeves

Unit III

Skirts: Different types of skirts and categorization of skirt on the basis of length and flare.

Unit IV

Collars – definition, parts of collar, classification of collar

Unit V

Pockets- Definition, classification, and creating variety in pocket.

UNIT VI

Pants- Terminology, categorization on the basis of length and fit and their variations

UNIT VII

Dart manipulation- single dart, multiple dart, fullness (gathers, pleats, and tucks) contouring.

Analysis of apparel design from magazines

PRACTICAL

  1. Drafting of adult bodice block and sleeve block
  2. Drafting of adult’s Skirt block
  3. Adaptation of plain sleeve to the following sleeves
    Bishop sleeve
    Kimono sleeve
    Raglan sleeve
    Dolman sleeve
  4. Drafting and adaptation of the following collars
    Chinese band
    Shawl collar
    Stand and fall collar
    Turtle neck
  5. Drafting of
    Peticoats (4 kali, 6 kali)
    Top (simple, yoke)
    Skirts- circular, Divided, pleated, wrap-on and hip-tight skirt.

References:

  1. Mary Mathews, Practical Clothing Construction Part-II. Designing, Drafting and Tailoring Bhattarams Reprographics(P) Ltd., Chennai 2001
  2. Zarapkar K.R, System of Cutting, Navneet Publications India 2005
  3. Hilary Campbell,” Designing Patterns Om Book Services, New Delhi, 2003.
  4. Helen Joseph-Pattern Making for Fashion Design, Armstrong Pearson Education, Delhi, 2000.
  5. Mary Mulasi, Garments with style, Chiton Book Company,Pennsylvania,1995
  6. Thomas Anna Jacob, “The Art of Sewing”, UBS Publishers Distributors Ltd. New Delhi, 1994
  7. Readers digest- Sewing Book
  8. Verma G, “Cutting and Tailoring Theory”, Asian Publishers, Delhi, 1999

04 APPAREL MANUFACTURING TECHNOLOGY

UNIT- I

  1. Apparel Industry: Basic introduction
    a)Domestic Industry
    b) Export industry
  2. Work flow and brief study of various departments of apparel manufacturing unit

UNIT- II

Different types ofsewing machines-Introduction
Single needle lock stitch, Single needle chain stitch, 4- Thread over-lock machine, 5- thread over-lock machine, Button hole machine, Button stitching machine, Flat lock machine

UNIT- III

II Basic terminology used in Apparel Industry
Haute couture, custom clothes, Pret-e- porter, fashion, style, fad, classic, Hi- fashion, trims bias, yokes, grain, selvedge, fray, Notch, pucker, frill, flounces, Ruffles, style line, princess line, empire line, silhouette, accessories, design, motif.

Unit- IV

Fabric preparation & layout planning
Fabric preparation: Preparing the fabric for cutting, Importance of grain in fabric cutting and garment construction. Methods ofstraightening fabric grains.

Lay planning Introduction,Types of layout.
Lay out/Lay plans
i. Half garment lay
ii. Whole garment lay
iii. Single size lay
iv. Multi size lay
a. Sectional lay
b. Interlocking lay
c. Mixed multi size lay
Transferring pattern markings,
Efficiency of the marker plan

Spreading
Different spreading methods
One way
Two way Circular

Methods/Means ofspreading
a. Manual spreading
b. Spreading carriage
c. Automatics spreading machines.

bundling, ticketing, cutting and Production
 The methods of cutting and cutting tools
 Types of production process

Unit- V

Finishing/Labeling /inspection and packaging of garments

Packaging – Importance and various materials used for packaging.
Introduction to Quality control- Definition of quality, importance of quality assurance, stages of quality control in apparel industry.

PRACTICAL

  • Field trips to the textile manufacturing units and garment manufacturing units. To collect different fabric swatches and study various spreading and laying methods for them.

References:

  1. Jackb Solinger, “Apparel Manufacturing Handbook”, Van Nostrand Reinhold company” 1980
  2. Garg R.K & Sharma V, “Production planning & control management, Publishing, 1998
  3. Cooklin. G. “Introduction to clothing manufactures” Blackwell science . 1995.
  4. Harold Carr & B. Latham, “The Technology of clothing manufacture – Blackwell sciences 1998
  5. Churter. A.J, “Introduction to clothing production management”, Oseney Mead.
  6. Quality production, solinger, care and machinery equipment by Latham.
  7. Apparel industry introduction.
  8. Inside the fashion business.

05 ADVANCE GARMENT CONSTRUCTION – I

Unit I

Seams and Fullness: Definition, Seam types & their finishes.
Fullness: Definition, Types of fullness – Darts, Tucks, Pleats, flares, godets, gathers, shirrs & frills.

Unit II

Neck finishes and yokes
Neck finishes:- Definition, Bias- definition, joining bias and uses. Bias facing and bias binding.
Yokes:- Definition & creating variety in yoke. Empire line and Princess line.

Unit III

 Lining, interlining, facing & interfacing.

Unit IV

Trimmings:- Definition, types -Biastrimming, ruffles, embroidery, smocking, faggoting, Appliqué, lace, lace motifs, Scalloped edging, decorative fastening – belts & bows.

PRACTICAL
Construction of different types of cuffs- lined/unlined.
Construction of the following Collars
 Chinese band
 Shawl collar
 Stand and fall collar- Peter pan collar
 Baby collar
Construction of the following Garmentsfor ladies
Peticoats (4 kali, 6 kali)
Top (simple, yoke)
Skirts- circular, Divided, pleated, wrap-on and hip-tight skirt.

References:

  1. Thomas Anna Jacob, “The Art of Sewing”, UBS Publishers Distributors Ltd. New Delhi, 1994
  2. Readers digest- Sewing Book Verma G, “Cutting and Tailoring Theory”, Asian Publishers, Delhi, 1999

06 HISTORY OF COSTUME

PART A

UNIT- I

  • Indus valley Civilization
  • Vedic Period
  • Maurya Period
  • Sunga & Satvahana Period
  • Kushan & Gupta Period
  • Mughal Period & British Period

UNIT- II

Costumes of different states of India.

PART B

UNIT- III

  • Costume History of Greek
  • Roam
  • Greece
  • Egypt & Italy
  • French

UNIT- IV

 French-Middle Ages, Renaissance, French revolution, Romantic period.
 18th, 19th & 20th Centuries Costumes

References:

  1. Kumar Ritu, “Costumes and Textiles of Royal India” Christies Book Ltd. London, 1999.
  2. Gurey G.S., “Indian Costumes”, The popular Book Depot.
  3. Bina Abling, “Costumes”.

07 DRAPING & DRAFTING

UNIT – I

Introduction
a. Mannequin (dress form) explain the measurements and how they relate to draping.
b. Identify the morphological components of the female form in relation to Mannequin or industrial dress form.
c. Explain the term Nomenclature.
d. Position the style tape on the dress form, according to the measurements of the given size.
e. Preparation of muslin (squared muslin) the module leader will explain how to square the muslin using pins, L square and industrial steam iron. The module leader will give a demonstration and the students will duplicate this technique.
Homework: Prepare the squared muslin pieces for the next exercise according to the measurements required.

UNIT – II

Draping the Basic Skirt

UNIT – III

Draping of Yoke Skirt with pleats

UNIT – IV

Draping of the Peplum onto the Basic Skirt Exercise 1.

UNIT – V

Draping of the Draped Skirt (Drape Full Body)

UNIT – VI

Skirt Project

UNIT – VII

Basic Bodice with dart variations.

UNIT – VIII

Princess Line Bodice

References:

  1. Draping for Fashion Design (3th Edition) – Hilde Jaff and Nurie Relis
  2. The Art of Fashion Draping (3rd Edition) – Connie Amaden-Crawford